Museum of Art Carrillo Gil

In Galia Eibenschutz’s proposal, the museum space is activated through performances in which drawing and movement intertwine. Curated by Anel Jiménez, the exhibition unfolds as a journey without visible hierarchies between stillness and activation. The documentary addresses working processes, performative activations, and the audience’s interaction with the exhibition, articulating the relationship between body, gesture, and space.

From the literary perspective proposed by poet Luis Felipe Fabre, together with curator Mauricio Marcin, the exhibition offers a constellation-like reading of the Carrillo Gil collection. Works by artists such as Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, Gunther Gerzso, and the collective SEMEFO enter into dialogue through a visual and textual dispositif that destabilizes fixed interpretations. The documentary translates this interdisciplinary approach into a narrative that emphasizes exhibition design as a generator of meaning.

In Santiago Muedano’s project, curated by Tomás Pérez, the artistic action reflects on how mobile devices have transformed our relationship with the environment and extended our corporeality into digital space. The proposal highlights the simultaneous coexistence of physical presence and virtual communication, characteristic of a generation accustomed to inhabiting both realms. The documentary articulates this reflection through the recording of the action and its later presentation within the exhibition space.

In Mauricio Marcin’s curatorial research, the exhibition examines the transfers between art and craft in Mexico from the mid-twentieth century to the present. Works by artists such as Francis Alÿs, Abraham Cruzvillegas, Mathias Goeritz and Sheila Hicks, among